Brian Eno is MORE DARK THAN SHARK

INTERVIEWS, REVIEWS & RELATED ARTICLES

The National JUNE 29, 2011 - by Stephen Dalton

BRIAN ENO: DRUMS BETWEEN THE BELLS

Last year, Brian Eno took advantage of a gap between superstar production work for the likes of Coldplay and U2 to release his first album of new material in half a decade, his debut on the feted British electronic label Warp. In quick succession, here is a further collaborative collection of jazzy electronic soundscapes, this time interwoven with the words of the poet Rick Holland. Eno intones Holland's lyrics on five of the sixteen tracks, including the opening number Bless This Space, a kind of twenty-first century techno-blues mesh of shimmering computer beats and gently weeping guitars. Holland himself makes a brief vocal cameo later, but female voices dominate, most strikingly Glaznya Goworek's heavily processed robo-chants on the propulsive mechanical funk of Glitch and Laura Spagnuolo's cool Laurie Anderson-style incantation on the melancholy sci-fi lullaby Pour It Out. For fans of Eno's groundbreaking 1970s output, these translucent sound paintings will sound like old hat. The ambient art-rock pioneer certainly seems more likely to revisit old career phases than invent new musical languages nowadays. But Drums Between The Bells contains many moments of meditative magic and mesmerising beauty. Besides, with so many mainstream artists currently making Eno-esque music, he is entitled to sound like himself occasionally.